Get in touch. Use the contact form below for questions about the books or Byzantine Polyphony, academic or musical inquiries, serious collaboration proposals, media or publishing contact.
Before writing, it may help to understand what Mastering Byzantine Polyphony is.
About Mastering Byzantine Polyphony
Mastering Byzantine Polyphony is a teaching system dedicated to restoring precision, structure, and polyphonic logic to Byzantine music.
It exists because the current state of the field is broken. Specifically:
- Pedagogy avoids measurable definition and repeatable results
- Core theoretical claims contradict musical reality
- Polyphony is dismissed as foreign to protect incoherent theory
These are technical failures, not just matters of taste. This project confronts them directly.
About the Author
Ari Koufogiannakis is a music educator, author, liturgical music consultant, and the creator of Mastering Byzantine Polyphony. His work stands at the intersection of Byzantine chant, modal harmony, acoustics, and Orthodox choral practice, providing definitive guidelines for modern liturgical choirs. His goal is a complete reconstruction of Byzantine music through Western notation and polyphonic structure. The method is based on modal harmony, acoustics, and fully notated material, abolishing the interpretive secrecy of mystical intervals, ornamental excess, and inherited performance habits. Mastering Byzantine Polyphony is a serious, usable system for singers, chanters, choir directors, composers, clergy, and Orthodox musicians who understand that the sound of worship cannot be left to accident, habit, or clerical neglect.